عناصر مشابهة
جمالية التواتر بين الشدة والرقة في ديوان أطلس المعجزات لصالح الخرفي القراري الزيتوني الجزائري "1932 - 2001م."
| العنوان بلغة أخرى: | Aesthetic Frequency Between Intensity and Tenderness in the Atlas of Miracles, by; Salih al-Kharfy al-Zaituni al-Jazairi "1932 – 2001" |
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| المصدر: | آفاق الثقافة والتراث |
| الناشر: |
مركز جمعة الماجد للثقافة والتراث - قسم الدراسات والنشر والشؤون الخارجية
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| المؤلف الرئيسي: | |
| المجلد/العدد: | مج24, ع95 |
| محكمة: | نعم |
| الدولة: | الإمارات |
| التاريخ الميلادي: | 2016 |
| التاريخ الهجري: | 1437 |
| الصفحات: | 83 - 96 |
| ISSN: | 1607-2081 |
| رقم MD: | 772151 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | Arabic |
| قواعد المعلومات: | HumanIndex AraBase |
| مواضيع: | |
| رابط المحتوى: |
| المستخلص: | Critical studies revealed many aesthetics features of Algerian literature, and showed the correlation of revolution and nation in its topics. Many of them have considered it as a fixed feature of Algerian literature because it reflects one of the greatest revolutions the world has seen, so the Algerian creator consistently holds on to this dialectic, during and after the revolution of freedom. He went on singing and praising its championship and recording history and events, Employing alternatively revolutionary violence language that characterized his attitude about colonizer and his crimes against unarmed Algerian people and the language of tenderness, ecstasy and optimism while singing and praising his country and its brave soldiers. |
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