عناصر مشابهة

قراءة في جدلية العلاقة بين السينما والفلسفة

تفصيل البيانات البيبلوغرافية
المصدر:مجلة آفاق سينمائية
الناشر: جامعة وهران 1 أحمد بن بله - مختبر فهرس الأفلام الثورية في السينما الجزائرية
المؤلف الرئيسي: عيسى، رأس الماء (مؤلف)
المجلد/العدد:ع5
محكمة:نعم
الدولة:الجزائر
التاريخ الميلادي:2018
الصفحات:6 - 13
ISSN:2335-1888
رقم MD:903534
نوع المحتوى: بحوث ومقالات
اللغة:Arabic
قواعد المعلومات:HumanIndex
مواضيع:
رابط المحتوى:
الوصف
المستخلص:The controversy in the assets of the relationship between cinema and philosophy is very old, almost the very beginning since Plato's Allegory of the cave, where he demonstrated the technical picture in the mind of the philosophical tradition, the first relies on sensory perceptions and bother second concepts, and each one of them his own world, which operates it. Locked in philosophy at the thought of orbital and inflict violence ideas that you receive, sometimes defies understanding of the purpose of producing a new vision of the world, an effort that gives continuity, while featuring cinema common space for images and fantasies and ideas that pulls reconsider reveals destinations arise thought is granted the opportunity to renew the understanding of the nature of existence because thinking is to discover and invent new possibilities for life, can schools dialectical relationship between cinema and philosophy to inquire about the concept of cinema as a new area of philosophical reflection, or how to build infringing between cinema and philosophy relationship?