عناصر مشابهة
كارمن بين القصة والأوبرا
| العنوان بلغة أخرى: | Carmen between Story and Operae |
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| المصدر: | فصول |
| الناشر: |
الهيئة المصرية العامة للكتاب
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| المؤلف الرئيسي: | |
| المجلد/العدد: | ع99 |
| محكمة: | نعم |
| الدولة: | مصر |
| التاريخ الميلادي: | 2017 |
| الصفحات: | 615 - 627 |
| ISSN: | 1110-0702 |
| رقم MD: | 892816 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | Arabic |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| رابط المحتوى: |
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| المستخلص: | The opera Carmen has always been regarded as one of most renowned artistic and musical works in the world. Owing its origin to a fictional narrative prose, Carmen has become a real success and performed in various versions. Its popularity put Prosper Merimee, the writer in the background for the benefit of Georges Bizet, a French composer, who adapted it into a dramatic work. The present study is an attemptto tackle such issue prevailing in a great number of musical masterpieces that rely on literary works. It aims at depicting their openness and celebrity from time immemorial in terms of convergent and divergent viewpoints as well as balancing the aesthetic transition from words to aria. |
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