عناصر مشابهة
التوازيات الصوتية في رسائل العصر الفاطمي الفنية
| المصدر: | مجلة آداب ذي قار |
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| الناشر: |
جامعة ذي قار - كلية الآداب
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| المؤلف الرئيسي: | |
| مؤلفين آخرين: | |
| المجلد/العدد: | ع11 |
| محكمة: | نعم |
| الدولة: | العراق |
| التاريخ الميلادي: | 2013 |
| الصفحات: | 106 - 112 |
| ISSN: | 2073-6584 |
| رقم MD: | 692056 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | Arabic |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| رابط المحتوى: |
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| المستخلص: | The research looked at the technical messages in the framework of modern criticism according to the theory governed by the laws of Jama mechanism and modalities of knowledge, research has proved that an actor paced reflected the balance of phrases. And proved that parallelism was one of the most prominent voice stylistic techniques because it may cause to the attention of the recipient Also recorded voice parallels effective presence as achieved Tjaliltha rhythmic through three. Stylistic phenomena are parallel, and homogeneity voice at various levels is full Kaltjans and incomplete. As well as the hiring of the phenomenon of repetition repeat compose noise of rhythm consistent with sender Mqsidih. |
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