عناصر مشابهة
Structural Transformations in the Contemporary Arabic Novel: An Applied Reading of Samar Yazbek’s the Walker and Jumaa Boukleeb’s London Days
| العنوان بلغة أخرى: | تحولات البناء في الرواية العربية المعاصرة: قراءة تطبيقية في روايتي "المشاءة" لسمر يزبك ونهارات لندنية لجمعية بوكليب |
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| المصدر: | فكر وإبداع |
| الناشر: |
رابطة الأدب الحديث
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| المؤلف الرئيسي: | |
| المجلد/العدد: | ج148 |
| محكمة: | نعم |
| الدولة: | مصر |
| التاريخ الميلادي: | 2023 |
| الصفحات: | 1 - 27 |
| رقم MD: | 1435199 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | English |
| قواعد المعلومات: | AraBase HumanIndex |
| مواضيع: | |
| رابط المحتوى: |
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| المستخلص: | صارت الرواية العربية المعاصرة، بصفتها فنا اجتماعيا أصيلا، في حالة مد وجزر، عقب هبوب رياح التغيير والتحول، بدءا من انتهاء الحرب الباردة، ومرورا بتغير المنعطفات السياسية العالمية، بتفكيك التكتلات الدولية، وانتهاء باستقطاب دول العام كافة، من خلال مفهوم "القرية الكونية"، أو ما عرف بثورة التكنولوجيا المتدثرة في عباءة العولمة. فكان حتما على الرواية العربية المعاصرة وصناعها أن يتفاعلوا مع توابع التحولات الأخرى التي شهدتها الساحة العولمية، ما انعكس على البناء الروائي خصيصا، الذي جاء ترجمة كاشفة للرؤى التفكيكية التعددية التنوعية الباحثة عن إعادة رسم الحدود التناغمية المتسقة مع آفاق افتراضية. Literature is a product of the spatio-temporal moment. It is born in its womb, grows up in its care and matures in its arms, eventually reflecting its attachment to it. Hence, the novel, among other literary genres, being originally a social art in the first place, is affected by society and affects it, through a reciprocal relationship, within the framework of cause and effect, action and reaction. The spatio-temporal moment is but an epitome of the status quo in a given human society. The world society, in general, was subjected to a flood of major transformations, especially in the aftermath of the Second World War, socially, culturally, intellectually, and even philosophically and religiously. Consequently, the contemporary world novel, as an authentic social art, has become in a state of ebb and flow, upon experiencing an upsurge of world transformations. Such transformations started with the end of the Cold War, passing through the change of global political terms, in the dismantling of international conglomerates, ending up with the polarization of all countries of the world via the concept of the "Cosmic Village". Noticeably, this was a prophecy predicted by the Canadian philosopher, Marshall McLuhan, more than half a century ago, namely the revolution of information technology, lurking in the mantle of globalization. Thereupon, the contemporary novel, and its makers, had to interact whether positively or negatively with the consequences of such major transformations, witnessed by the global arena. This was crystalized in a clear impact on the narrative construction in particular, which came as a revealing translation of the quantitative and qualitative deconstructive visions. The novelists have become concerned with a redrawing of the geometrical boundaries that are consistent with hypothetical horizons, more in harmony with the outputs of the new world order. This can easily be pursued in some of the creations of the authors of the contemporary Arabic novel, including even those whose fame has not- as yet- expanded. Two among these are the Syrian novelist Samar Yazbek, author of The Walker and the Libyan writer, Jumaa Boukleeb, author of London Days. |
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