عناصر مشابهة
موسم امحمد بن عمرو المختاري في المغرب الأقصى
| العنوان بلغة أخرى: | Season of Sheikh Emhammed ibn Amr Al Mukhtari in Morocco |
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| المصدر: | مجلة الفنون الشعبية |
| الناشر: |
الهيئة المصرية العامة للكتاب
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| المؤلف الرئيسي: | |
| المجلد/العدد: | ع104 |
| محكمة: | نعم |
| الدولة: | مصر |
| التاريخ الميلادي: | 2019 |
| الصفحات: | 50 - 61 |
| ISSN: | 1110-5488 |
| رقم MD: | 1173281 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | Arabic |
| قواعد المعلومات: | HumanIndex |
| مواضيع: | |
| رابط المحتوى: |
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| المستخلص: | This study is about the rituals of worship in the zawya of Sheikh Em- hammed ibn Amr AL Mukhtari, one of the main Moroccan figures in fiqh and sufism, born in the 10th century AH. The Sheikh had his own tariqah of sufism, and his different taste. He had many disciples who drew from his knowledge, until his doctrine expanded. Many followers celebrate his birth¬day next to his zawya. The study describes the season of the celebration: organization, prepa¬ration, invitation of groups and other sects to celebrate, zikr rings, chorus drummers and the role of the rest of attendants, servants and visitors. Every tariqah has its own characteristics, and Al Wareth provides the special rituals that are unique to the followers of the Sheikh; everyone walks in the celebra¬tion barefoot, and no one is allowed to keep his shoes on, or else he should leave. No one is allowed to wear red or black clothes and other rituals. The study provides a clear manifestation of the participation of women in this celebration when they enter barefoot. It is also remarkable during the walk towards the shrine that all visitors cut the leaves of doum bushes scat¬tered around the shrine. They make them belts or put them on their heads. The importance of this study lies in its investigative and documentary na¬ture, as it represents the rituals and other ceremonials of worship around the shrine of a Moroccan wali. The study traces the gradual mixing between the sufi rituals of Isawiya tariqa and folk beliefs that were attached to them forming a special rituaf'in which zikr, sama', hadra, and other rituals are combined with traditional ritu¬als such as singing in Arabic and Berber, dancingto local melodies, and prac¬tices for bringing blessing or banishing calamities. There are worship forms, expressions, rhythms and mythological patterns presented in this study, which reveals the continuing influence of Sheikh Al Mukhtari over the years. |
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