عناصر مشابهة
Le Langage Symbolique dans Syngué Sabour Pierre de Patience D'atiq Rahimi
| العنوان بلغة أخرى: | Symbolic Language in Syngue Sabour Stone of Patience of Atiq Rahimi |
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| المصدر: | مجلة ألف اللغة والإعلام وللمجتمع |
| الناشر: |
جامعة الجزائر 2 - كلية اللغة العربية وآدابها واللغات الشرقية
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| المؤلف الرئيسي: | |
| المجلد/العدد: | مج5, ع2 |
| محكمة: | نعم |
| الدولة: | الجزائر |
| التاريخ الميلادي: | 2018 |
| الصفحات: | 30 - 39 |
| ISSN: | 2437-0274 |
| رقم MD: | 1072685 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | French |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| رابط المحتوى: |
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| المستخلص: | Syngue Sabour is a novel where symbolic language takes under its wing the signifiance of the text. In the course of the pages of the novel, we discover a writing certainly symbolic, but which thinks distinctly marked out with beacons by a thematic lexicon and by narrative techniques making sure that the atmosphere which creates it distinctly immerses itself in it. Rahimi stacks two rather distant techniques: On one hand, he hides his intention of saying some things behind the opacity of symbols. On the other hand, he highlights deliberately some terms, expressions and topics constituting Ariane's thread as for the discovery of the unsaid of the text / symbols, this opposition leads us to point out the effect of paradox generated by the desire of the author to exercise a strengthening of indications both on syntagmatic plan and in paradigmatic plan facing a reservation to confess its ideology apparently. This paradox seems to be the vital nerve of the novel since he aims at establishing a primordial balance in the maintaining of the coherence of the text. Syngue Sabour est un roman ou le langage symbolique prend sous son aile la signifiance du texte. Au fil des pages du roman, nous decouvrons une ecriture certes symbolique, mais qui se trouve nettement balisee par un lexique thematique et par des techniques narratives faisant en sorte que l’atmosphere qui s’en cree s’en soit nettement impregnee. Rahimi superpose deux techniques assez distantes : D’une part, il cache son intention de dire certaines choses derriere l’opacite des symboles. D’autre part, il met deliberement en surbrillance quelques termes, expressions et themes constituant un fil d’Ariane quant a la decouverte du non-dit du texte/ symboles, cette opposition nous mene a remarquer l’effet de paradoxe genere par le desir de l’auteur d’exercer un renforcement des indices tant au plan syntagmatique qu’au plan paradigmatique face a une reticence d’avouer clairement son ideologie. Ce paradoxe semble-etre le nerf vital du roman puisqu’il vise a etablir un equilibre primordial au maintien de la coherence du texte. |
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