عناصر مشابهة
Employing of Woman’s Shape in the Contemporary Art Formation: The Potter, Khalid Jabbar, as a Prototype Model
| المصدر: | مجلة رماح للبحوث والدراسات |
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| الناشر: |
مركز البحث وتطوير الموارد البشرية - رماح
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| المؤلف الرئيسي: | |
| مؤلفين آخرين: | |
| المجلد/العدد: | ع69 |
| محكمة: | نعم |
| الدولة: | الأردن |
| التاريخ الميلادي: | 2022 |
| الصفحات: | 795 - 812 |
| DOI: | 10.33953/1371-000-069-032 |
| ISSN: | 2392-5418 |
| رقم MD: | 1318966 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | English |
| قواعد المعلومات: | EcoLink |
| مواضيع: | |
| رابط المحتوى: |
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| المستخلص: | Artistic formation is a deep term that deals with creativity in every detail. It represents a product of a variety of arts, such as painting, sculpture, ceramics, and other applied arts. It may be in the form of a figurative creation, or in the form of an artistic composition of a three-dimensional ceramic or sculptural model, to be formulated based on previously identified considerations by the producer; an artist or a craftsman. The great diversity in the architecture of fine arts in general has caused chaos in the structure of contemporary art formation in particular. The construction has become devoid of the basic elements and ingredients in society. It deals with everything that is marginal and simple. It sheds light on empty metaphors. In spite of the rapid steps that moved art to and from a different stage by all standards, it still retains important iconic symbols circulated throughout history, such as the shape of woman as it has not and will not abandon it for its active role in the social system. In light of this, the research consists of the methodological framework starting with the problem that revolves around several questions - based on the experience of one of the contemporary artists; the potter Khalid jabbar like; Did he employ the shape of women in the ceramic product for his work?, What is the reason for his use of the shape of women?, Did he base his ceramic patterns on intellectual, aesthetic, historical values, traditions, customs, or heritage?, Did he base his works on purely materialistic utilitarian values? Is there a diversity in the shape of women in the ceramic product of the works of Khalid jabbar? The questions allowed the two researchers to study the employment of the shape of women in one of the types of contemporary art formation through reviewing the employment of the shape of women over time and extrapolating the employment of the shape of women in the experience of one of the contemporary potters in several sections in chapter two dealing with the theoretical framework. The present study ends with many results and recommendations. |
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